[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fbISnoIuTwmB7HPMybMo1g9sM_sz999O-94qg8RfYAE8":3},{"id":4,"name":5,"category_id":6,"subcategory_id":7,"uploaded_by":8,"downloads":9,"size":10,"seeders":11,"leechers":12,"infohash":13,"language":14,"title":15,"slogan":16,"poster_alt":17,"description":18,"cover_image":19,"magnet_link":20,"stream_link":17,"content":21,"files":22,"comments_count":23,"tracker_list":24,"date_uploaded":25,"last_checked":26,"last_checked_at":17,"user_id":17,"submit_flag":23,"uploaded_at":27,"created_at":28,"updated_at":28,"slugged_title":29,"category_name":30,"subcategory_name":31,"uploaded_ago":32,"category":33,"subcategory":34,"comments":36},6623069,"For Love And Gold (L'Armata Brancaleone) 1966 ITA SUB ENG, ITA 72...",1,42,"BoogerSan",34884,"5.9 GB",23129,8252,"3EBACE3AB077E031EF605E790B348A78B9B90108","Italian","For Love and Gold","\u003Cspan>Comedy\u003C/span>\u003Cspan>Adventure\u003C/span>",null,"A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.","//lx1.dyncdn.cc/cdn/af/af6c8cf80e2001b71c83727c34d8c95a.jpg","magnet:?xt=urn:btih:3EBACE3AB077E031EF605E790B348A78B9B90108&dn=For+Love+And+Gold+%28L%26%23039%3BArmata+Brancaleone%29+1966+ITA+SUB+ENG%2C+ITA+720p+BluRay+x264&tr=udp%3A%2F%2Ftracker.opentrackr.org%3A1337%2Fannounce&tr=udp%3A%2F%2Ftracker.torrent.eu.org%3A451%2Fannounce&tr=udp%3A%2F%2Fopen.stealth.si%3A80%2Fannounce&tr=udp%3A%2F%2Ftracker.tiny-vps.com%3A6969%2Fannounce&tr=http%3A%2F%2Ftracker.bt4g.com%3A2095%2Fannounce&tr=udp%3A%2F%2Ftracker.dler.org%3A6969%2Fannounce&tr=http%3A%2F%2Ftracker.renfei.net%3A8080%2Fannounce&tr=https%3A%2F%2Ftracker.tamersunion.org%3A443%2Fannounce&tr=udp%3A%2F%2Fexplodie.org%3A6969%2Fannounce&tr=https%3A%2F%2Ftrackers.mlsub.net%3A443%2Fannounce&tr=udp%3A%2F%2Fexodus.desync.com%3A6969%2Fannounce&tr=udp%3A%2F%2Fp4p.arenabg.com%3A1337%2Fannounce&tr=udp%3A%2F%2Fopentracker.io%3A6969%2Fannounce&tr=udp%3A%2F%2Fd40969.acod.regrucolo.ru%3A6969%2Fannounce&tr=udp%3A%2F%2Ftracker.opentrackr.org%3A1337%2Fannounce&tr=http%3A%2F%2Ftracker.openbittorrent.com%3A80%2Fannounce&tr=udp%3A%2F%2Fopentracker.i2p.rocks%3A6969%2Fannounce&tr=udp%3A%2F%2Ftracker.internetwarriors.net%3A1337%2Fannounce&tr=udp%3A%2F%2Ftracker.leechers-paradise.org%3A6969%2Fannounce&tr=udp%3A%2F%2Fcoppersurfer.tk%3A6969%2Fannounce&tr=udp%3A%2F%2Ftracker.zer0day.to%3A1337%2Fannounce","\u003Cp>\u003C/p>\u003Cp class=\"align-center\">\n\u003Cbr/>\u003Cbr/>\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://imgsaver.com/images/2024/05/05/09.png\" src=\"https://imgsaver.com/images/2024/05/05/09.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\n\u003Cbr/>\u003Cbr/>Year:  1966\n\u003Cbr/>Country:  Italy, France, Spain\n\u003Cbr/>Director:  Mario Monicelli\n\u003Cbr/>Cast:  Vittorio Gassman, Catherine Spaak, Folco Lulli, Gian Maria Volontè\n\u003Cbr/>IMBD:  \u003Ca href=\"https://www.imdb.com/title/tt0060125/\" target=\"_blank\">Link\u003C/a>\n\u003Cbr/>\u003Cbr/>\u003Cstrong>Language \u003C/strong>: Italian\n\u003Cbr/>\u003Cstrong>Subtitles \u003C/strong>: English, Italian\n\u003Cbr/>\u003Cbr/>\u003Cbr/>\u003Cbr/>\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://imgsaver.com/images/2024/05/05/zzzz.png\" src=\"https://imgsaver.com/images/2024/05/05/zzzz.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\n\u003Cbr/>\u003Cbr/>The entire golden age of Italian comedy is built on the fusion of comedy and drama, a trend that began with *I soliti ignoti* and was cemented the following year by the Golden Lion (and the immense commercial success) of *La grande guerra*. The two protagonists of this film, Alberto Sordi and Vittorio Gassman, deliver gags and humorous situations, but in the end they are shot in a dramatic scene that invites viewers to reinterpret all the irony of the preceding situations. For Italy at the time, addressing the “victorious war” of 1915–18 was an almost sacrilegious act, a rupture that had immediate consequences. Upon the announcement of the film’s production and the casting of two actors famous for comedies as leads, major Italian newspapers published a barrage of articles criticizing the idea of portraying that war with two protagonists representing “heroes of fear.” The controversy raged on for months and kept the production in limbo for a long time, but the film’s success—including its commercial success—swept it all away and, above all, made a large group of comedy filmmakers realize that through cinema, one could break free from official historiography and tell the story of how events truly unfolded.\n\u003Cbr/>\u003Cbr/>Comedy directors, therefore, are fully aware (as are their screenwriters) that through comedy they can tell the true story of what happened in Italy. One after another, films like *Una vita difficile*, *Anni ruggenti*, *Il federale*, *La marcia su Roma*, *I compagni*, *I due nemici*, and *L’armata Brancaleone* are released. They depict the rise of fascism, the Resistance, and the postwar period; but also the workers’ strikes at the turn of the century.\n\u003Cbr/>\u003Cbr/>Age, screenwriter of many films, says:\n\u003Cbr/>\u003Cbr/>The project was the work of a group of filmmakers of which I was a part, and it unfolded gradually. We tried to focus a bit more on the characters, the story, and the setting. The process took several years and was marked by—if one can call them that—increasingly higher standards. After I soliti ignoti came the leap to La grande guerra and the first Italian strike in I compagni, an achievement we made step by step because the Italian public accepted these films gradually. And then Tutti a casa, which dealt with 1943, La marcia su Roma, Una vita difficile, which followed the biography of an Italian from the Resistance to the economic boom—a film in which Sordi’s character grew even further—and Il sorpasso, which depicted the boom from the heart of the boom. [...] In *La grande guerra*, even though it dealt with a tragedy, it often ended in farcical moments: it was precisely on that occasion that we asked ourselves, with some anxiety, whether we could attempt the difficult task of combining tragedy and farce. In short, true Italian-style comedy was one that possessed certain specific qualities and content, and which, as a novelty compared to the rest, had this important feature: that it was not merely aimed at making people laugh or smile, but also at making them think and planting in the minds of the audience some doubt about their political convictions, or at least some second thoughts about a certain way of life.\n\u003Cbr/>\u003Cbr/>The golden age of Italian comedy, with its actors (Alberto Sordi, Vittorio Gassman, Marcello Mastroianni, Ugo Tognazzi, Nino Manfredi), its directors (Mario Monicelli, Dino Risi, Luigi Comencini, Luigi Zampa), and its screenwriters (in addition to the directors, also Age, Furio Scarpelli, Ettore Scola, Rodolfo Sonego, Leo Benvenuti, Piero De Bernardi, and Suso Cecchi d’Amico), is in fact the backbone of Italian cinema in the 1960s. It is a cinema that knows how to portray the society in which we live, sketching out all the contradictions and difficulties of an Italy that, within a decade, became an industrial powerhouse, whereas just a few years earlier it had been an agricultural country where millennia-old traditions persisted. (Steve Della Casa)\n\u003Cbr/>\u003C/p>\u003Cp>\n\u003Cbr/>\u003Cbr/>\u003C/p>\u003Cp class=\"align-center\">\n\u003Cbr/>\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://imgsaver.com/images/2024/05/05/003.png\" src=\"https://imgsaver.com/images/2024/05/05/003.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\n\u003Cbr/>\u003Cbr/>[ About file ]\n\u003Cbr/>\u003Cbr/>Name: For Love And Gold.Mario Monicelli.1966.BluRay.ZiGZAG.mkv\n\u003Cbr/>Date: Mon, 06 Apr 2026 12:25:11 +0200\n\u003Cbr/>Size: 6,332,306,398 bytes (6038.957975 MiB)\n\u003Cbr/>\u003Cbr/>[ Magic ]\n\u003Cbr/>\u003Cbr/>File type: Matroska data\n\u003Cbr/>File type: EBML file, creator matroska\n\u003Cbr/>\u003Cbr/>[ Generic infos ]\n\u003Cbr/>\u003Cbr/>Duration: 02:00:20 (7219.926 s)\n\u003Cbr/>Container: matroska\n\u003Cbr/>Production date: Mon, 23 Mar 2026 12:18:46 +0200\n\u003Cbr/>Total tracks: 5\n\u003Cbr/>Track nr. 1: video (V_MPEG4/ISO/AVC) {und}\n\u003Cbr/>Track nr. 2: audio (A_FLAC) {ita}\n\u003Cbr/>Track nr. 3: subtitle (S_TEXT/UTF8) {eng}\n\u003Cbr/>Track nr. 4: subtitle (S_HDMV/PGS) {eng}\n\u003Cbr/>Track nr. 5: subtitle (S_HDMV/PGS) {ita}\n\u003Cbr/>Muxing library: libebml v1.4.4 + libmatroska v1.7.1\n\u003Cbr/>Writing application: mkvmerge v95.0 ('Goodbye Stranger') 64-bit\n\u003Cbr/>\u003Cbr/>[ Relevant data ]\n\u003Cbr/>\u003Cbr/>Resolution: 1280 x 690\n\u003Cbr/>Width: multiple of 32\n\u003Cbr/>Height: multiple of 2\n\u003Cbr/>Average DRF: 21.296252\n\u003Cbr/>Standard deviation: 2.973063\n\u003Cbr/>Std. dev. weighted mean: 2.918163\n\u003Cbr/>\u003Cbr/>[ Video track ]\n\u003Cbr/>\u003Cbr/>Codec ID: V_MPEG4/ISO/AVC\n\u003Cbr/>Resolution: 1280 x 690\n\u003Cbr/>Frame aspect ratio: 128:69 = 1.855072 (~1.85:1)\n\u003Cbr/>Pixel aspect ratio: 1:1 = 1\n\u003Cbr/>Display aspect ratio: 128:69 = 1.855072 (~1.85:1)\n\u003Cbr/>Framerate: 24 fps\n\u003Cbr/>Stream size: 5,959,225,529 bytes (5683.160333 MiB)\n\u003Cbr/>Duration (bs): 02:00:20 (7219.916551 s)\n\u003Cbr/>Bitrate (bs): 6603.096295 kbps\n\u003Cbr/>Qf: 0.311514\n\u003Cbr/>\u003Cbr/>[ Audio track ]\n\u003Cbr/>\u003Cbr/>Codec ID: A_FLAC\n\u003Cbr/>Sampling frequency: 48000 Hz\n\u003Cbr/>Channels: 2\n\u003Cbr/>Sample size: 16-bit\n\u003Cbr/>\u003Cbr/>[ Video bitstream ]\n\u003Cbr/>\u003Cbr/>Bitstream type: MPEG-4 Part 10\n\u003Cbr/>User data: x264 | core 164 | H.264/MPEG-4 AVC codec | Copyleft 2003-2023\n\u003Cbr/>User data: http://www.videolan.org/x264.html | cabac=1 | ref=9\n\u003Cbr/>User data: deblock=1:-3:-3 | analyse=0x3:0x133 | me=umh | subme=11 | psy=1\n\u003Cbr/>User data: psy_rd=1.00:0.00 | mixed_ref=1 | me_range=32 | chroma_me=1\n\u003Cbr/>User data: trellis=2 | 8x8dct=1 | cqm=0 | deadzone=21,11 | fast_pskip=0\n\u003Cbr/>User data: chroma_qp_offset=-2 | threads=18 | lookahead_threads=4\n\u003Cbr/>User data: sliced_threads=0 | nr=0 | decimate=0 | interlaced=0\n\u003Cbr/>User data: bluray_compat=0 | constrained_intra=0 | bframes=16 | b_pyramid=2\n\u003Cbr/>User data: b_adapt=2 | b_bias=0 | direct=3 | weightb=1 | open_gop=0 | weightp=2\n\u003Cbr/>User data: keyint=250 | keyint_min=25 | scenecut=40 | intra_refresh=0\n\u003Cbr/>User data: rc_lookahead=60 | rc=crf | mbtree=0 | crf=20.2 | qcomp=0.70\n\u003Cbr/>User data: qpmin=0 | qpmax=69 | qpstep=4 | vbv_maxrate=62500\n\u003Cbr/>User data: vbv_bufsize=78125 | crf_max=0.0 | nal_hrd=none | filler=0\n\u003Cbr/>User data: ip_ratio=1.30 | pb_ratio=1.20 | aq=3:0.75\n\u003Cbr/>SPS id: 0\n\u003Cbr/>  Profile: High@L4.1\n\u003Cbr/>  Num ref frames: 9\n\u003Cbr/>  Chroma format: YUV 4:2:0\n\u003Cbr/>PPS id: 0 (SPS: 0)\n\u003Cbr/>  Entropy coding type: CABAC\n\u003Cbr/>  Weighted prediction: P slices - explicit weighted prediction\n\u003Cbr/>  Weighted bipred idc: B slices - implicit weighted prediction\n\u003Cbr/>  8x8dct: Yes\n\u003Cbr/>Total frames: 173,278\n\u003Cbr/>Drop/delay frames: 0\n\u003Cbr/>Corrupt frames: 0\n\u003Cbr/>\u003Cbr/>P-slices:  33382 ( 19.265 %) ####\n\u003Cbr/>B-slices: 138826 ( 80.117 %) ################\n\u003Cbr/>I-slices:   1070 (  0.618 %)\n\u003Cbr/>SP-slices:      0 (  0.000 %)\n\u003Cbr/>SI-slices:      0 (  0.000 %)\n\u003Cbr/>\u003Cbr/>[ DRF analysis ]\n\u003Cbr/>\u003Cbr/>average DRF: 21.296252\n\u003Cbr/>standard deviation: 2.973063\n\u003Cbr/>max DRF: 33\n\u003Cbr/>\u003Cbr/>DRF=1:    13 (  0.008 %)\n\u003Cbr/>DRF=2:   157 (  0.091 %)\n\u003Cbr/>DRF=3:   366 (  0.211 %)\n\u003Cbr/>DRF=4:    80 (  0.046 %)\n\u003Cbr/>DRF=5:    41 (  0.024 %)\n\u003Cbr/>DRF=6:    19 (  0.011 %)\n\u003Cbr/>DRF=7:    17 (  0.010 %)\n\u003Cbr/>DRF=8:    33 (  0.019 %)\n\u003Cbr/>DRF=9:     3 (  0.002 %)\n\u003Cbr/>DRF=10:     0 (  0.000 %)\n\u003Cbr/>DRF=11:     8 (  0.005 %)\n\u003Cbr/>DRF=12:    18 (  0.010 %)\n\u003Cbr/>DRF=13:    66 (  0.038 %)\n\u003Cbr/>DRF=14:   262 (  0.151 %)\n\u003Cbr/>DRF=15:  1074 (  0.620 %)\n\u003Cbr/>DRF=16:  3257 (  1.880 %)\n\u003Cbr/>DRF=17:  7995 (  4.614 %) #\n\u003Cbr/>DRF=18: 13079 (  7.548 %) ##\n\u003Cbr/>DRF=19: 18363 ( 10.597 %) ##\n\u003Cbr/>DRF=20: 22787 ( 13.151 %) ###\n\u003Cbr/>DRF=21: 25593 ( 14.770 %) ###\n\u003Cbr/>DRF=22: 23390 ( 13.499 %) ###\n\u003Cbr/>DRF=23: 19204 ( 11.083 %) ##\n\u003Cbr/>DRF=24: 14623 (  8.439 %) ##\n\u003Cbr/>DRF=25:  9882 (  5.703 %) #\n\u003Cbr/>DRF=26:  6418 (  3.704 %) #\n\u003Cbr/>DRF=27:  3810 (  2.199 %)\n\u003Cbr/>DRF=28:  1861 (  1.074 %)\n\u003Cbr/>DRF=29:   676 (  0.390 %)\n\u003Cbr/>DRF=30:   156 (  0.090 %)\n\u003Cbr/>DRF=31:    19 (  0.011 %)\n\u003Cbr/>DRF=32:     5 (  0.003 %)\n\u003Cbr/>DRF=33:     2 (  0.001 %)\n\u003Cbr/>DRF>33:     0 (  0.000 %)\n\u003Cbr/>\u003Cbr/>P-slices average DRF: 20.197352\n\u003Cbr/>P-slices std. deviation: 2.840907\n\u003Cbr/>P-slices max DRF: 31\n\u003Cbr/>\u003Cbr/>B-slices average DRF: 21.576419\n\u003Cbr/>B-slices std. deviation: 2.937622\n\u003Cbr/>B-slices max DRF: 33\n\u003Cbr/>\u003Cbr/>I-slices average DRF: 19.229907\n\u003Cbr/>I-slices std. deviation: 2.803776\n\u003Cbr/>I-slices max DRF: 27\n\u003Cbr/>\u003Cbr/>[ Edition entry ]\n\u003Cbr/>\u003Cbr/>UID: 2531195326624064346\n\u003Cbr/>Hidden: No\n\u003Cbr/>Selected by default: Yes\n\u003Cbr/>Playlist: No\n\u003Cbr/>Chapters: \n\u003Cbr/>00:00:00,000-00:03:01,667: Intro {eng}\n\u003Cbr/>00:03:01,667-00:05:59,958: Marauders {eng}\n\u003Cbr/>00:05:59,958-00:09:30,517: The Ambush {eng}\n\u003Cbr/>00:09:30,517-00:13:27,875: The Parchment {eng}\n\u003Cbr/>00:13:27,875-00:17:44,333: The Knight {eng}\n\u003Cbr/>00:17:44,333-00:20:20,500: The Tournament {eng}\n\u003Cbr/>00:20:20,500-00:22:09,750: The Army {eng}\n\u003Cbr/>00:22:09,750-00:30:46,542: Theophylact {eng}\n\u003Cbr/>00:30:46,542-00:38:16,375: \"Cuccurucù\" {eng}\n\u003Cbr/>00:38:16,375-00:42:59,667: The Monk Zenone {eng}\n\u003Cbr/>00:42:59,667-00:51:23,958: Deus (Non) Vult {eng}\n\u003Cbr/>00:51:23,958-00:55:49,126: Mattelda {eng}\n\u003Cbr/>00:55:49,126-01:01:32,333: \"Brancami Leone!\" {eng}\n\u003Cbr/>01:01:32,333-01:04:28,250: In the Night {eng}\n\u003Cbr/>01:04:28,250-01:10:38,895: The Wedding {eng}\n\u003Cbr/>01:10:38,895-01:18:26,392: The Cage {eng}\n\u003Cbr/>01:18:26,392-01:21:31,260: At the Monastery {eng}\n\u003Cbr/>01:21:31,260-01:31:44,126: The Byzantines {eng}\n\u003Cbr/>01:31:44,126-01:36:28,600: The Bear {eng}\n\u003Cbr/>01:36:28,600-01:39:45,590: Death of Abacuc {eng}\n\u003Cbr/>01:39:45,590-01:45:10,010: Aurocastro {eng}\n\u003Cbr/>01:45:10,010-01:50:51,168: The Saracen Pirates {eng}\n\u003Cbr/>01:50:51,168-01:54:00,170: Christians {eng}\n\u003Cbr/>01:54:00,170-02:00:02,792: \"To the Holy Lands!\" {eng}\n\u003Cbr/>02:00:02,792-02:00:19,926: End Credits {eng}\n\u003Cbr/>\u003Cbr/>This report was created by AVInaptic (01-11-2020) on 10-04-2026 00:04:27\n\u003Cbr/>\u003Cbr/>\u003Cbr/>\u003Cbr/>\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://imgsaver.com/images/2024/05/05/002.png\" src=\"https://imgsaver.com/images/2024/05/05/002.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\n\u003Cbr/>\u003Cbr/>\u003Ca href=\"https://imgbox.com/FQoiPama\" target=\"_blank\">\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://thumbs2.imgbox.com/77/62/FQoiPama_t.png\" src=\"https://thumbs2.imgbox.com/77/62/FQoiPama_t.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\u003C/a>\n\u003Cbr/>\u003Cbr/>\u003Ca href=\"https://imgbox.com/IChCS1CB\" target=\"_blank\">\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://thumbs2.imgbox.com/1b/b8/IChCS1CB_t.png\" src=\"https://thumbs2.imgbox.com/1b/b8/IChCS1CB_t.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\u003C/a>\n\u003Cbr/>\u003Cbr/>\u003Ca href=\"https://imgbox.com/7alRP2Fh\" target=\"_blank\">\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://thumbs2.imgbox.com/a9/38/7alRP2Fh_t.png\" src=\"https://thumbs2.imgbox.com/a9/38/7alRP2Fh_t.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\u003C/a>\n\u003Cbr/>\u003Cbr/>\u003Ca href=\"https://imgbox.com/VojuygPx\" target=\"_blank\">\u003Cdiv class=\"image-progress-wrapper\">\u003Cimg alt=\"Movie cover image\" class=\"img-responsive descrimg lazy\" data-original=\"https://thumbs2.imgbox.com/b0/c6/VojuygPx_t.png\" src=\"https://thumbs2.imgbox.com/b0/c6/VojuygPx_t.png\"/>\u003Cdiv class=\"image-progress-bar\">\u003Cdiv class=\"image-progress-fill\">\u003C/div>\u003C/div>\u003C/div>\u003C/a>\n\u003Cbr/>\u003Cbr/>\u003C/p>\u003Cp>\u003C/p>","\u003Ch2>Files: \u003C/h2>\n\u003Cul>\u003Cli>\u003Ci class=\"flaticon-movies\">\u003C/i>For Love And Gold.Mario Monicelli.1966.BluRay.ZiGZAG.mkv (5.9 GB)\u003C/li>\u003C/ul>",0,"\u003Ch3>Code: \u003C/h3>\n\u003Cul>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://tracker.opentrackr.org:1337/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://tracker.torrent.eu.org:451/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://open.stealth.si:80/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://tracker.tiny-vps.com:6969/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> http://tracker.bt4g.com:2095/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://tracker.dler.org:6969/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> http://tracker.renfei.net:8080/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> https://tracker.tamersunion.org:443/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://explodie.org:6969/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> https://trackers.mlsub.net:443/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://exodus.desync.com:6969/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://p4p.arenabg.com:1337/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://opentracker.io:6969/announce\u003C/li>\n\u003Cli>\u003Cspan class=\"icon\">\u003Ci class=\"flaticon-href-link\">\u003C/i>\u003C/span> udp://d40969.acod.regrucolo.ru:6969/announce\u003C/li>\n\u003C/ul>","23 hours ago","2 hours ago","2026-04-10 21:12:15","2026-04-10T21:12:15.000000Z","for-love-and-gold-larmata-brancaleone-1966-ita-sub-eng-ita-72","Movies","HD","Apr. 10th '26",{"id":6,"name":30},{"id":7,"name":31,"icon":35},"flaticon-hd",[]]